Daniel's In Love

by Daniel Bonespur

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1.
We go where onto our shoulders we go The progress of the moon slows down to follow If you arrive first place the stones somewhere in the first 1,000 words It's an invitation that hosts no curse Now everything beyond goes further We do what onto our noses we do with permission from each pole we let ourselves be fooled Your canyons destroy but they do not create If you cannot pretend then you will never reign There is no other devil than the one that is in our heart on the left side of my chest he's got his butt parked Forty big and forty small streets take the great gifts god has given me You can feed me apples and make me think it's already ending People carry the weight of the world sometimes while some people never have anything to compromise Always the mist inside my voice listens and sings you arching back into its opinion It can only guess the light that shines from the corner of your lips and digs red clay on gold shapes to house man and women You arrived here first to place what shows somewhere in the first 1,000 words It's an invitation that hosts some curse now everything beyond goes further
2.
Wooden Maria 05:28
Wooden maria wooden maria wooden maria her kisses will tease you unless you can deceive her With three pretty dresses with three pretty dresses with three pretty dresses all of her choosing none of which she'll want to go losing Maria made a list the first dress had a fish the fish sang every hour then turned into a flower the flower bloomed too soon then grew into the moon the moon did all that it could but rotted into wood and floated down the river past her baby-sitter who was blowing kisses to all of the handsome princes' Half of our lives then half of our lives then half of our lives then her hands in warm water and the ring still round her finger from her father Everything and nothing everything and nothing everything and nothing but Maria wanted something and to make these advances she knew she'd have but three chances Maria started to dance but a boot kicked her in the pants She tried to blow some bubbles but they were popped by some shovels Singing was her last hope til she was choked by a rope Knowing this wasn't her night Maria went home to make things right You can die from laughing you can die from laughing you can die from laughing if you hold it in for too long Maria made a pizza pie three items she put inside The first was a tailor's pin so we all can taste our sin The second was the ring on her finger so on our tongues tradition will linger The third was a beggar's token so the channels of the rich are broken Maria baked all through the night so we all can have a bite Wooden maria wooden maria wooden maria she'll love you and then she'll leave you
3.
The moods fell over the violence varied in the heat of the day The intersection of the searches in the heat of the day Where you are wait for me there in the heat of the day Ordinary minds hiding in the shade The world as town and family only in the heat of the day Don't it feel good to study the rain in the heat of the day The heart behind beats not to catch in the heat of the day The leading hand is price but we will not pay Show me the instruments the seedy and common equipment The sleep tears dried our eyes shut in the heat of the day Our open arms holding nothing at all in the heat of the day Ready for when to go again in the heat of the day The road is long the way we are going in the heat of the day There is no strength in enduring the heat of the day If we stop to ask the swan at the bottom of the lake Show me the instruments the seedy and common equipment Boom-c-boom Winters come to steal Cairo's child Rime rolls her bones and her breath And cold bells toll the coming of old age and certain death
4.
Where do we wake with our dreams underneath the hawthorne tree Where do we find golden keys underneath the rowan tree Where do we pen purposefully underneath the ivy tree Where into the water first goes our feet underneath the willow tree Where on to each other do we never say please underneath the cherry tree Where does each day leave with its entirety underneath the walnut tree God damn prime meridian you don't know how dry I am "My eyes may never shed such a storm of love again” The kind of happiness I can sing about! God damn prime meridian you don't know how dry I am “My eyes may never shed such a storm of love again” The kind of happiness I can sing about! Where do we ask questions 1, 2 and 3 underneath the cedar tree Where do we perform action, thought and deed underneath the sycamore tree Where does each day leave with its entirety
5.
I've never been more proud of your mouth or riled by eventual task Let us interact like two drunk actresses I'll represent you if you represent me in a different order and for some different reason moving at the same speed moving further away It's mostly harps passed in concert laid back playing only stops It's recognized as device so I take from it only what I like There's no more room around this cup there are too many lips pressed There's no more room around this cup there are two too many lisps pressed Daniel's in love I was a big hole buried once I wasn't even that much There's no more room around this cup Lucky for us the arbor kept indoors the water kept in arbor share the same neck And it's body is still standing at the foot of our bed And it's always with breath in abundance and lamb in its stomach it only keeps quiet can't gather enough spit Simply put she is a perfect fifth played on a counter top I mean a mountain top meant for morning drip Into father's breakfast cup If and when this culture gets removed from his gut The ending can finish up The rubbing coming through the wire the effect of eating sand share the same neck
6.
Modesty 05:23
Your sounds do not go by way of shared air they're kept in a bank and do what they're told Your timing's not late it's just kept on your side The hands that you lay on your Martha they fold and grow Vaginas are garages or however it is you say it goes You'll write of your cock and the grief that it holds You'll lay on your back and watch it explode with nowhere to go it'll run down your throat and come out your nose and back down your throat it does what it's told
7.
This town's a special place made up of friends so great From my beating heart they take all of the fear and hate I gave god back my name she didn't want it anyway I'm not myself now but I'll always remain The action that I make Love and courage fusing shape what a way to celebrate death to anyone who does not change I'm still learning how to say: You make me a braver and better human being
8.
Put the gold back in the earth with the master of the mint standing thus then felt foolish On the ground the frogs asleep and eagles doing eagle things while flotsam leaving blank and rats use all their weight underneath the moon you woke me to

about

Illustrations by www.misterrobertson.com

credits

released May 24, 2016

Performed by:

Skyler Nowinski - bass
Ben Peterson - drums
Dan Dukich - voice, piano, guitar
Charlotte Calvert - voice
Dinky Alto - synth
Mitch Stahlmann - flute
Kalen Keir - saxophones
Billy Mullaney - bassoon
Zachery Scanlan - violin
Jenna Wyse - violin
Judy MacGibbons - viola
Randall Davidson - cello
Evan Murnane - cello
Artemis - sings on the The Silver Duh

Songs by Dan Dukich
Produced by Dan Dukich and Sean Healy
String-woodwind arrangements by Noah Ophoven-Baldwin
Artemis arrangements by Elizabeth Windangel

Recorded at Boom-C-Boom Studios by Sean Healy. Mixed by Jacques Wait. Mastered at Magneto Studios by Bruce Templeton.

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Daniel Bonespur Minneapolis, Minnesota

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